Speaking with Daehyung Lee, artistic director of the biennale's 13th edition, STIR explores the platform's focus on the future of ceramics and the human-nature-technology triad.
The first thing I notice when speaking to Charbak Dipta about graphic novels and comic books is his earnest, fan-like love for them, both as art forms and as cornerstones of his childhood thinking, ...
The new cultural centre by Blight Rayner Architecture and Snøhetta envelopes world-class facilities in a sinuous glass facade, alluding to the theatrical rhythms of the performing arts.
The one-of-its-kind music centre in Apple’s six-storey Battersea Station space in London houses world-class facilities for live performance and worldwide broadcast.
Clerkenwell Design Week (CDW) returns to London’s EC1 from May 19 – 21, 2026, for its milestone 15th edition. Marking the occasion, the design festival introduces Design Interventions, a new series of ...
A year later, on May 18, 2016, the mercury at CEPT University in Ahmedabad, reached an unhealthy 50.5 degrees Celsius. While birds, exposed to this soaring heat, literally dropped dead on the ground, ...
Mobile street vendors like Nayan, mostly belonging to rural areas, came carrying their world on their shoulders without asking for delivery charges and became an intrinsic part of the urban experience ...
The Belgian biodesigner and material researcher speaks to STIR about using materials like discarded tennis balls and plant roots to craft ‘deeply remembered objects’.
The Railway Farm has a multifaceted architectural programme integrating social welfare, located at the edge of a former railway that surrounds Paris Image: Myr Muratet The Railway Farm in Paris is a ...
Smita Thomas’ Bangalore-based studio embellishes construction waste—from doorknobs to marble slabs—to balance sustainable pursuits with artistic expression.
The world’s largest astronomy museum in Shanghai functions as a veritable astronomical instrument, with immersive spaces to remind visitors of humanity's place in the cosmos.
Ben Rekhi's film explores a housing society’s impending rebuilding, probing the effects of financial value outweighing the social and emotional value of built environments.