Imagine attending a performance billed as La Traviata and seeing, instead of an opera, a person reading passages from Piave’s ...

Born in the Baroque and carried into the Classical era, the concerto bridges two period. The Sebastians, a period-instrument ...

Yo-Yo Ma performed Osvaldo Golijov’s “Azul” with Gustavo Dudamel and the New York Philharmonic Friday night at David Geffen ...

It would be easy to underestimate the Camerata Nordica octet. Here are eight young string players from Sweden (and other ...

Madeline Healey was appealingly ingenuous of voice and demeanor as Euridice, tearing no passion to tatters but touching in her distress as Orfeo’s mistake of looking back at her caused his wife to be ...

Composer Lawrence Kramer (center) with conductor Clare Lewis on his left and the cast of Kramer’s opera “The Dreaming of Bones” at the conclusion of Friday night’s performance at Fordham University.

Toward the end of the 2024-25 season, Gustavo Dudamel led the New York Philharmonic in a tremendous, unforgettable performance of Gustav Mahler’s Symphony No. 7. Even more than the great music making, ...

Conductor Ramon Tebar, in his Met debut, led the orchestra with sweeping, lyrical gestures in what came out as a rather discreet performance, nuanced closely with the singers, yet still capable of ...

Samantha Hankey as Dorabella (left) and Federica Lombardi as Fiordiligi in Mozart’s “Così fan tutte” at the Metropolitan Opera. Photo: Marty Sohl / Met Opera Phelim McDermott’s staging is set in the ...

Lise Davidsen as Lady Macbeth and Quinn Kelsey in the title role of Verdi’s “Macbeth” at the Metropolitan Opera. Photo: Marty Sohl / Met Opera The Metropolitan Opera’s “The Voice Matters” slogan ...